The wealth and beauty in the time-worn.

In Japan they have a word Kintsugi and it relates to keeping something and continuing to use it even when it has become damaged and care-worn. I am finding that as I age in our very materialistic and modern world that this idea resonates greatly with me. I feel that I myself am almost Kintsugi as I have been broken and fixed so many times.

I no longer feel the need to have everything shiny and new and in the latest style, it is as if I feel now more than ever that there was a time where it was the meaning that gave the value and this was more important than the monetary value of the “thing”. On my wall I have a clock that my mother got for me many years ago and its monetary value is meaningless but it still adorns my wall, she got it for me because she thought it would appeal to me and it still holds that value and the love that came with it deep within.

Sunday afternoon was very cold and wintery and in an attempt to stave off the cold we ventured into Bruccianis for a hot chocolate. Bruccianis is on the promenade at Morecambe and it opened in 1939 and still occupies the same building and much of the interior design and decor is still untouched and it is now a grade 2 listed building.

For me the comfort is in its menu. It takes me back to days gone by when I would warm my hands on a mug of Horlicks in the Bus Station cafe in Rawtenstall after shopping with mum, Terry Jacks and “Seasons in the sun” playing on the radio. The menu here boasts Horlicks, Vimto, Bovril and the ultimate decadence of the Knickerbocker Glory. It isn’t shabby chic, or modern art nouveau but simply still the same as it was many years ago.

Its wealth and beauty is that it is what it is. No charlatan here. A place to warm up with a hot chocolate in the winter-time and chat with family and friends or a special ice-cream treat at the beach in a red-hot summer when the sand feels like it is on fire. Sometimes we don’t need perfection what we really need is congruence and familiarity.

 

Morecambe by the sea

Icy cold toes, winter sun

Horlicks comforts me.

 

© Alison Jean Hankinson

I am submitting this for Haibun Monday at d’Verse, it breaks the rules a tad, but I think it reflects change and perhaps it is also indicative of a change yet to come, a return to a different set of values.

 

The Ugly Grubbly.

Once upon a yucky time lived a grubbly gringly monster groo

He jiggled in the midnight sun

and feasted on wibbly bungaroos

 

He gribbled beyond the wobbly fronds and bumbled in the forest froo

He wimbled with the flowersong

and with the frimbles flew.

 

Once upon an ugly time when gringle monsters knew

That clovely bubbly mischief makers

Made life worth living true.

 

© Alison Jean Hankinson

For d’Verse poetics.

 

Not so lost in translation

At d’Verse this Monday we were discussing translation and poetry.

My daughter Ellen’s favourite poem as a young teen was the translated version of Past One O Clock by Vladimir Mayakovsky and it has also become one of my favourites. Mayakovsky was a playwright as well as a poet, he often satirised aspects of “the state” and found himself in conflict with the authorities. He reportedly took his own life in 1930 aged 36 although there had always been some doubt cast over the timing and nature of his demise. Both he and Lilya Brik had affairs but even after the relationship ended they remained close.

I have no idea if it is a good translation but feel that it is most beautiful. Having lived in NZ I realise that often it is not possible to create perfect translations, so for example some phrases in Maori are more than just translatable words, a poem is a Taonga, which literally means a treasure or something that is highly valued, but the word Taonga is a much more accurate description it carries a sense of the sacrosanct.
Anyway I have to let you read the poem to understand its poignant beauty. It was left as part of his suicide note.

©Alison Jean Hankinson.

Past One O clock
Past one o’clock. You must have gone to bed.
The Milky Way streams silver through the night.
I’m in no hurry; with lightning telegrams
I have no cause to wake or trouble you.
And, as they say, the incident is closed.
Love’s boat has smashed against the daily grind.
Now you and I are quits. Why bother then
To balance mutual sorrows, pains, and hurts.
Behold what quiet settles on the world.
Night wraps the sky in tribute from the stars.
In hours like these, one rises to address
The ages, history, and all creation.
©Vladimir Mayakovsky

With love to you all. XXXX

Scents of Childhood.

Lavender lush

Lulls to sleep

Creeps through seams in crisp new linen.

 

Scented sachets

Sandalwood

Smell of the orient in Nanna’s drawers.

 

Nivea and talc

Clean fresh towels.

Lily of the valley handcream and cheap eau de cologne.

 

Bonfire night

Sparks and crackles

Burned embers, toffee and smoke galore

 

Pine needles and frost

Gingerbread parkin, mince pie aromas

And freshly fallen snow.

 

©Alison Jean Hankinson

This is for d’verse poetics, bit rusty have been out of the loop for a while.

 

 

Time passes.

Withered

Her hand frail against the withered fronds as she rearranged the flowers

For time had sold them short.

 

Joyful

Her youthful stance and gaze, as glorious bride in the gaily painted photo-frame

Captured in the stillness of time framed by the care-home mantle-piece.

 

Anguish

Forgetting fettered fragile moments of family-time,

Lost forever in the timelessness of a fretful mind.

 

Peacefulness

Her pain receding as the hands of time hold her soul

Serene against the backdrop of a moonlit sky.

 

© Alison Jean Hankinson

This for poetics at d’verse. We were asked to explore something we couldn’t touch. It is coming up for the 10th anniversary of my mum passing away and she never got to be old so she never experienced losing her memories.

Prodigal

Clumsy — awkward steps across the hall — Childlike stomps beyond the wall.

My heart skips a beat.

Is it you? Are you home?

 

Stealth — I meld with the shadows — I limber lithely behind the arch.

Eager to surprise you with my smile.

Are you near? Is it your footsteps I hear?

 

Shouts — call out your name — voice cracks through the silence.

We melt into each other’s arms.

My child is home.

 

©Alison Jean Hankinson

 

This is for d’Verse mtb.

If only …….

The day we fell….

They shall grow not old, as we that are left grow old,

We remember them each and everyone, every year, it is our duty

We solemnly speak their names, we treasure their memories in our hallowed halls

We honour their fate on memorials and museum walls.

 

Kick back, flashlight, night flare

We are back there

I do solemnly swear to bring honour and bear witness

To my country but he is missing in action.

tap tap….clack clack…. frack frack

I scour the wall of missing people.

 

©Alison Jean Hankinson

 

First line taken from For the Fallen- by Laurence Binyon. Last line taken from “Leaving time” Jodi Picoult. For Bridging the Gap at d’Verse.