In Japan they have a word Kintsugi and it relates to keeping something and continuing to use it even when it has become damaged and care-worn. I am finding that as I age in our very materialistic and modern world that this idea resonates greatly with me. I feel that I myself am almost Kintsugi as I have been broken and fixed so many times.
I no longer feel the need to have everything shiny and new and in the latest style, it is as if I feel now more than ever that there was a time where it was the meaning that gave the value and this was more important than the monetary value of the “thing”. On my wall I have a clock that my mother got for me many years ago and its monetary value is meaningless but it still adorns my wall, she got it for me because she thought it would appeal to me and it still holds that value and the love that came with it deep within.
Sunday afternoon was very cold and wintery and in an attempt to stave off the cold we ventured into Bruccianis for a hot chocolate. Bruccianis is on the promenade at Morecambe and it opened in 1939 and still occupies the same building and much of the interior design and decor is still untouched and it is now a grade 2 listed building.
For me the comfort is in its menu. It takes me back to days gone by when I would warm my hands on a mug of Horlicks in the Bus Station cafe in Rawtenstall after shopping with mum, Terry Jacks and “Seasons in the sun” playing on the radio. The menu here boasts Horlicks, Vimto, Bovril and the ultimate decadence of the Knickerbocker Glory. It isn’t shabby chic, or modern art nouveau but simply still the same as it was many years ago.
Its wealth and beauty is that it is what it is. No charlatan here. A place to warm up with a hot chocolate in the winter-time and chat with family and friends or a special ice-cream treat at the beach in a red-hot summer when the sand feels like it is on fire. Sometimes we don’t need perfection what we really need is congruence and familiarity.
Morecambe by the sea
Icy cold toes, winter sun
Horlicks comforts me.
© Alison Jean Hankinson
I am submitting this for Haibun Monday at d’Verse, it breaks the rules a tad, but I think it reflects change and perhaps it is also indicative of a change yet to come, a return to a different set of values.